TASWIR explores its own topography

an idiosyncratic and rigorous way how to replace North and South, East and West by thematic relations, and how to archive its own materials and projects.

TASWIR

has invented a matrix
for an epistemic architecture
in nine topological rooms.
[. . . ]
Each room or any combination of rooms
may occasion any number
of new rooms, projects or exhibitions.

[…]

All TASWIR exhibitions are ongoing projects, platforms for artistic research.

Each TASWIR exhibition takes on the shape of a TASWIR atlas.

[…]

Each room of a TASWIR exhibition contains
a certain constellation of elements.

The constellations of elements show diachronic simultaneities and an overlapping of spatial references according to antecedent initiating moments,
either hidden or displayed.

House of Taswir, 2014 [p. 163].

WHITE INK
BodyLetter / Traces of Absence / The In-Between / Indeterminacies / Visual Poetry / Dream Work

POINT AND LINE
Geometries / (A)Symmetries / Zero Probabilities / (In)Finities / Atomism / (Dis)Continuities

MINIATURE
Theories of Representation / Not-Knowing / Negative Theologies / Veilings/ Mirror Work / Blind Spot

POLYPHONY
Migration of Forms / Audio-Visual Scores / Stratigraphies / Substitutions / Archive(s)

POLIS
Urban Structures / Universalism / Agora / Heterotopies / Simultaneities of Difference

EASTWEST
Projections & Appropriation in Collective Processes / Orientalism & Occidentalism / Pathology Indexes

UTOPIAS / DYSTOPIAS
Time Frames / Counter Histories / Resistance / Messianism / Withdrawal of Tradition

EROS
Male and Female / Theories of Touch / Amalgamation / Trespassing Identities

TASWIR
On Method / Fractal Epistemic Architectures / Object Association / Displacement / Atlas / TASWIR